نوع مقاله : مقاله پژوهشی
نویسندگان
1 زبان و ادبیات عربی، دانشکده ادبیات و زبانها، دانشگاه اراک، اراک، ایران
2 'گروه زبان و ادبیات عربی. دانشکده ادبیات و زبانها. دانشگاه اراک. اراک . ایران
3 گروه زبان و ادبیات عربی. دانشکده ادبیات و زبانها. دانشگاه اراک. اراک. ایران
4 دانش آموخته گروه زبان و ادبیات عربی. دانشکده ادبیات و زبانها. دانشگاه اراک. اراک. ایران
چکیده
کلیدواژه‌ها
موضوعات
عنوان مقاله [English]
نویسندگان [English]
Among the admirable qualities of Nahj al-Balaghah achieved in a thought-oriented reading is its musical and semantic sameness. The musical and semantic connection of Nahj al-Balaghah representations accumulated via a formalistic component called the magic of proximity. The artistic and aesthetic impact of this splendor in the history of literary and musical chef-d'oeuvre of the world, as well as in religious and holy books of the world, particularly the Holy Quran and Nahj al-Balaghah, is astonishing and decisive. This research endeavors to respond to how the musical and semantic sameness of various phrases of the sedition sermon is through the magic of proximity. For this purpose, with the descriptive analytics method, we have identified the creations of art in the process of choosing and uniting words on the two axes of coexistence and succession, defamiliarizing and devising music in the usual contexts, then new meanings that reach from this We have ascertained the passerby in unique technique and structure to the audience. This research indicates that the magic of proximity in phrases of Ali is not limited to the sameness and phonetics of the words and that Ali does not need innovative mastery in the
کلیدواژه‌ها [English]
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