Among the admirable qualities of Nahj al-Balaghah achieved in a thought-oriented reading is its musical and semantic sameness. The musical and semantic connection of Nahj al-Balaghah representations is realized via a formalistic component called the magic of proximity. The artistic and aesthetic impact of this splendor in the history of literary and musical chef-d'oeuvre of the world, as well as in religious and holy books of the world, particularly the Holy Quran and Nahj al-Balaghah, is astonishing and determining. This research endeavors to respond to how the musical and semantic sameness of various phrases of the sedition sermon is through the magic of proximity. For this purpose, with the descriptive analytics method, we identified the creations of art in the process of choosing and uniting words on the two axes of coexistence and succession, defamiliarizing and devising music in the usual contexts. Then, new meanings created in this way in new style and structure are presented. The findings indicate that the magic of proximity in phrases of Imam Ali (pbuh), in addition to the sameness of the phonetic system, creates meanings by penetrating the innermost layers of the speech texture, which is spiritual music, and in this way increases the power of the speech to affect the audience.